Provocative Christmas Displays at US Places of Worship Push Back on ICE

Throughout the United States, Christmas exhibits are on display that mock aggressive federal immigration enforcement crackdowns. These scenes retell the traditional nativity story, depicting the newborn Jesus and his family, Joseph and Mary, as figures affected by the actions of immigration authorities.

An Evocative Retelling in Evanston

One powerful display at a church in the Chicago suburb of Evanston shows baby Jesus placed within a crib out in the snow. Yet, the figure is covered by the type of thin, foil blankets often distributed to those in custody and has its hands secured by zip-ties.

Close by, the statue of Mary is positioned outside the church, equipped with a gas mask. This item has been adopted by activists seeking protection from chemical agents. She is flanked by representations of Roman soldiers, however in this scene they are dressed in tactical vests marked with the acronym “ICE.”

‘The Holy Family is in Hiding’

At another Chicago church, the customary figures of the holy family are nowhere to be seen from the traditional display featuring animals and Magi. Instead, a placard bears a simple message: “Due to enforcement actions in our community the Holy Family is in hiding.”

“The holiday season is a period when we have public art out on the lawn and we get an opportunity to make a statement,” remarked a church leader involved with one of the installations.

Messages Spread Nationwide

These artistic statements are extensions of the prominent part played by faith leaders in recent protests against immigration enforcement. Comparable political exhibits have appeared in multiple states.

In one New England state, a church removed the tiny figure of the baby Jesus from its nativity scene. Left behind was a handmade notice that read: “ICE was here.” The parish reportedly remained firm in the face of complaints from various diocesan and agency officials.

Connecting Ancient Story and Contemporary Issue

According to the creators of these scenes, framing the ancient tale of the nativity within a contemporary sociopolitical context draws attention to ongoing government agendas. They argue that the family's experience as refugees parallels the real fears and experiences of many families today, encompassing being torn apart and the removal of breadwinning family members.

This is not the initial instance congregations have employed Christmas displays for political protest. Previously, displays have highlighted issues ranging from conflict to the climate crisis.

Facing Pushback and Enduring Storms

The statements are not always universally welcomed. A clergy member participating commented that some critics either do not fully understand the intent or “find it very challenging to their conscience and are lashing out at the art rather than engaging with what the true message is.”

In a literal sense, the elements have also impacted one display. At a separate location, the figure of Joseph was blown down in a storm and was unable to be repaired. A substitute notice now marks the spot, stating: “Joseph was lost. We keep this place to honor and remember all the victims of immigration enforcement terror.”